Documentary Voice & Vision: A Creative Approach to Non-Fiction Media Production. Kelly Anderson, Martin Lucas

Documentary-Voice-Vision-A.pdf
ISBN: 9781138795433 | 480 pages | 12 Mb

• Documentary Voice & Vision: A Creative Approach to Non-Fiction Media Production
• Kelly Anderson, Martin Lucas
• Page: 480
• Format: pdf, ePub, fb2, mobi
• ISBN: 9781138795433
• Publisher: Taylor & Francis

Free ebook txt format download Documentary Voice & Vision: A Creative Approach to Non-Fiction Media Production 9781138795433 (English Edition) by Kelly Anderson, Martin Lucas CHM

Overview

Learn the creative and technical essentials of documentary filmmaking with the new Documentary Voice & Vision. This comprehensive work combines clear, up-to-date technical information, production techniques and gear descriptions with an understanding of how those choices can create meaning and serve a director’s creative vision. Drawing on the authors’ years of experience as documentary filmmakers, and on interviews with a range of working professionals in the field, the book offers concrete and thoughtful guidance through all stages of production, from finding and researching ideas, to production, editing and distribution. Documentary Voice & Vision will help students and aspiring filmmakers think though research and story structure, ethics, legal issues and aesthetics, as well as techniques from camera handling to lighting, sound recording and editing. The book explores a full range of production styles, from expository to impressionsitic to observational, as well as an overview of contemporary distribution options. Documentary Voice & Vision is a companion text to Mick Hurbis-Cherrier’s Voice & Vision: A Creative Approach to Narrative Film and DV Production and employs a similar style and approach to the classic text, but from the perspective of a documentary filmmaker with examples from the world of non-fiction filmmaking. This comprehensive offering is completed by a robust companion website featuring additional resources and interactive figures.

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